Posts Tagged ‘photographic history’

BA Hons Contemporary Photographic Practice at University of Northumbria at Newcastle United Kingdom

COURSE INFORMATION

The Contemporary Photographic Practice programme has been designed to provide students with an understanding of the techniques, theories, research and contemporary usage of photography, within a wide social and cultural context. Early emphasis is placed on methods and materials. At this time students are introduced to the basics of photographic history; how to read photographs; and formative critical theories related to photography. Building on this groundwork the programme then introduces students to key contemporary and post-modern debates relating to the extended range of practices open to a contemporary photographer. However, as the subject itself is continually open to change and re-definition students have an important role in defining and exploring new directions in photographic practice. With this in mind, the Contemporary Photographic Practice degree helps students to develop the range of key skills necessary to be a photographer today and to be able to fully exploit the potential of lens-based practice.

Students are encouraged to identify the subject matter of their photography projects, and in the final year present an exhibition of work made as part of self-initiated (visual) research, and a portfolio for their degree assessment. Previously, students have been supported in a wide range of projects ranging from new approaches to documentary production, desktop publishing, web-based work, digital, video and installation.

The programme is taught by a staff of practising photographers, subject specialists and visiting artists, providing an atmosphere of involved study, research into teaching, theory to practice and importantly, lively debate.

MODULE INFORMATION
To view the Module Information for this course click here

COURSEWORK AND ASSESSMENT

Teaching is through a combination of lectures, seminars, workshops and tutorials with lectures and seminars covering photographic history, theory and contemporary photographic practices. Student project work is developed in workshops and through tutorials.

Students are assessed on a combination of project work, essays, seminars and private study. Assessment of Years 2 and 3 contributes to the final degree award. In the third year, all students submit a dissertation and work towards an exhibition of their final project.

SELECTION
Applications are encouraged from potential students who can offer equivalent or alternative qualifications and also from mature students where the usual requirements may be waived.

CAREERS
The programme teaches key professional skills that will prepare students for a successful career in photography. Students completing the programme are articulate and well informed about a wide range of contemporary issues.

Employment is a key issue and the programme recognises that graduates working in photography will need to be flexible, imaginative, creative and possess a sound technical knowledge. Final year students are helped to gain a formative knowledge of possible career paths, and opportunities through a professional practice module that introduces them to a range of practitioners in both the photographic arts and commercial photography. Recent graduates have stayed on with us, to undertake postgraduate study, whilst others have taken up a variety of artistic and media related careers, including artist, editorial photographer, picture editor, curator, teacher and gallery assistant.

Courses BFA in Photography at Kendall College of Art and Design

In addition to studies in their program major, all of our students puruse a well-rounded education in foundational design, Liberal Arts and Sciences, Art History, and interdisciplinary and special studies.

Here are the course requirements for this major:
KCPH 120 – Introduction to Photography – 3 Credits
Prerequisites: KCFN 110 or KCVC 113.

An introduction to the fundamentals of photography and 35mm adjustable camera operation. This course includes beginning black and white film development and darkroom printing. The aesthetics of photography will be discussed in terms of its history, and artistic and technical advancements. (Students who have earned credit for VISC 212, Photography, may not use credit earned in KCPH 120 to meet graduation requirements.) Formerly KCFA 261.
KCPH 220 – Intermediate Photography – 3 Credits
Prerequisites: KCPH 120

The refinement of black and white film exposure and darkroom techniques using the zone system. An introduction to studio and artificial lighting techniques as well as extensive work with manipulation of the photographic image. Subject matter and imagery will be emphasized, along with a continuation of the study of photographic history and aesthetics. Formerly KCFA 262
KCPH 225 – Digital Photography I – 3 Credits
Prerequisite: KCPH 120

An introduction to photography’s digital tools: digital cameras, manipulation, and output. Exploration of consumer and pro-sumer level digital cameras and digital lighting considerations. Introduction to Photoshop, especially image compositing and manipulation. An introduction to film and flatbed scanning, resolution, color correction and digital output. The aesthetics unique to the digital environment, as well as its history will be examined.
KCPH 230 – Color Photography – 3 Credits
Prerequisites: KCPH 220

An extensive exploration of color photography with an emphasis placed on color negative printing. A study of color theory as it applies to light and film and the contemporary use of color by photographers. Content issues, as well as history, theory, and aesthetic approaches will be emphasized. Formerly KCFA 363
KCPH 240 – Lighting for Photography – 3 Credits
Prerequisites: KCPH 230.

An introduction to the fundamentals of using and modifying both ambient and studio lighting. This course includes the use of both hot and cold studio lighting for digital and analog photography, including color balancing the light source to specific films. Lighting theory and the history of studio photography will also be discussed. Formerly KCFA 264
KCPH 303 – Special Topics in Photography – 3 Credits
Prerequisites: KCPH 230

Rotating topics in photography utilizing the specific skills and interest of the faculty, community professionals, and visiting artists. Topics may be subject oriented (such as landscape, portrait, documentary, or photojournalism), technique oriented (manipulated image, directorial mode, or alternative process), or issue oriented (visual semiotics, new topographies, etc.)
KCPH 310 – Photo Seminar – 3 Credits
Prerequisites: Junior standing or department consent.

Reading, lecture, and discussion of classic and contemporary essays that outline the important areas of critical discourse in photography including philosophical and psychological theory.
KCPH 325 – Digital Photography II – 3 Credits
Prerequisites: KCPH 225

Advanced digital capture, manipulation, and output with emphasis on digital workflow and color space management. Focus on the use of high-end digital cameras, scanning backs, drum scanners and film recorders for the production of giclee-type prints for exhibition. Discussion of archival issues as related to digital output.
KCPH 340 – Studio Photography – 3 Credits
Prerequisites: KCPH 240

Using medium and large format cameras in the photo studio, especially for perspective control. Exposure control using the zone system. Lighting, posing and staging techniques that are used in classic studio photography including still life, models, food, and fashion. An examination of these classic techniques as applied to fine art photography.
KCPH 403 – Seminar in Photography – 3 Credits
Prerequisites: Upper-lever students

Seminar dealing with special interests in photography.
KCPH 410 – Professional Photographic Practices – 3 Credits
Prerequisites: Senior standing or department approval

A range of practical, legal and ethical issues for the professional photographer including writing an artist’s statement, resumes, business promotional materials, marketing, small business practices, financial practices, and portfolio presentation. Emphasis will be placed on applying to juried shows and the production of a gallery exhibition.
KCPH 430 – Photography Thesis I – 3 Credits
Prerequisites: Senior standing or department approval

Emphasizes the production of a unified body of work emphasizing conceptual development and creative decision-making. Includes individual and group critiques. Formerly KCFA 403
KCPH 460 – Photography Thesis II – 3 Credits
Prerequisites: KCPH 430

Emphasizes responsibility for the creation of a cohesive body of work that displays conceptual continuity and technical integrity. Includes individual and group critiques. The student is required to install a thesis exhibition to complete the BFA degree in photography. Formerly KCFA 460

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Photography B.A. B.S. at Texas A&M University Commerce

Required courses in the major (57-58 sh)
PHO 111 – Basic Photography I
PHO 112 – Basic Photography II
PHO 209 – Professional Tools and Techniques I
PHO 210 – Professional Tools and Techniques II
PHO 250 – Digital Image Manipulation I
PHO 280 – Color Photography
PHO 379 – Survey of Photographic History
PHO 495 – Photography Internship
ART 111 – Two-Dimensional Design
Plus 23-24 sh from:

may include a maximum of 8 sh in Art

PHO 212 – Visual Perception in Photography
PHO 339 – Environmental Portraiture
PHO 341 – Advertising and Commercial Photography
PHO 349 – Nature and Wildlife Photography
PHO 350 – Advanced Digital Photography
PHO 357 – Documentary Photography
PHO 359 – Abstract and Experimental Photography
PHO 369 – Alternative Print Making
PHO 397 – Special Topics
PHO 497 – Special Topics
University Studies courses (43 sh)