Posts Tagged ‘junior seminar’

Photography Credit Requirements at Hartford College for Women

Photography Credit Requirements

The typical photography curriculum is as follows:
Sophomore
6 Introduction to Photography I & II
3 Visual Communication Design, Drawing, Painting, or Illustration
3 Printmaking, Video or Media Arts
3 Sculpture or Ceramics
3 Studio Elective
3 AUC Other Cultures or Academic Requirement
4 AUC Science/Tech. or Academic Requirement
3 Mathematics or Academic Requirement
3 Academic Elective
Junior
3 View Camera: Field and Studio
3 Color Photography I
3 Junior Seminar in Photography
3 Digital Photography
6 Studio Electives
3 Art History or Academic Requirement
3 AUC Western Heritage or Academic Requirement
3 AUC Social Context or Academic Requirement
3 Academic Elective
Senior
3 Senior Seminar in Photography
9 Photography Electives: Color II, Sicily Travel Class Advanced Printing Techniques, Studio Lighting, Documentary, Photojournalism, Experimental Processes
6 Studio Electives
3 History of Photography or Art History
3 Academic Elective
6 Unrestricted Elective

Curriculum of Photography at Parsons School Of Design

Freshman Seminar 4 4
Design: From Line to Pixel 4 4
Drawing 2 -
Drawing & Painting - 2
Studio Elective - 3

Critical Reading & Writing 1 & 2 3 3
Perspectives in World Art & Design 1 & 2
3
3
Total 16 19
Sophomore Year F S
Studio & Light 1 & 2 3 3
View Camera 3 -
Design 3: Capture to Print 3 -
Studio Elective - 3
Photo Topics - 3
Design 4: Pixel to Cyberspace - 3
Sophomore Seminar 3 3
History of Photography 3 -
Intro to Visual Culture 3 -
University Lecture Elective - 3
Total 18 18

Junior Year F S
Junior Seminar 3 3
Imagery & Design 3 -
Studio Electives 6 6
Internship or Elective - 3
Global Issues in Design & Visuality: 21st Century 3 -
Art History/Design Studies Elective - 3
Liberal Arts Elective 3 -
University Lecture Elective - 3
Total 18 18
Senior Year F S
Senior Seminar 3 3
Senior Seminar Lab 2 2
Senior Thesis Tutorial 1 1
Studio Electives 3 3
Senior Seminar (Art & Design Studies) 3 -
Advanced Art History/Design Studies Elective - 3
Liberal Arts Elective 3 -
Total 15 12

TOTAL CREDITS 134

Electives
Advanced Color Printing, Advanced Light: Style and Magic, Adventures in Location Production, The Artistic Career: Editing, Curating, & Application, Artists’ Books, Conceptual Processes, Contemporary Strategies, Copyright and Contract Negotiation, The Digital Studio: The Art of Lighting and Work Flow, Documenting Community 1 & 2, Experiments: Pixel to Paper, Exploring the Narrative in Video, Fashion Photography 1 & 2, Independent Study, Instinct & Metaphor, Intimate Portrait, The Personal Essay, Portraiture, Postmodern Currents, Professional Internship, Sexuality, Nudity & Beauty in Photography, Transitioning to the Professional World, The Urban Landscape

Curriculum BFA Photography at New School University

Curriculum (BFA – Photography)
First Year F S
Freshman Seminar 4 4
Design: From Line to Pixel 4 4
Drawing 2 -
Drawing & Painting - 2
Studio Elective - 3

Critical Reading & Writing 1 & 2 3 3
Perspectives in World Art & Design 1 & 2
3
3
Total 16 19
Sophomore Year F S
Studio & Light 1 & 2 3 3
View Camera 3 -
Design 3: Capture to Print 3 -
Studio Elective - 3
Photo Topics - 3
Design 4: Pixel to Cyberspace - 3
Sophomore Seminar 3 3
History of Photography 3 -
Intro to Visual Culture 3 -
University Lecture Elective - 3
Total 18 18

Junior Year F S
Junior Seminar 3 3
Imagery & Design 3 -
Studio Electives 6 6
Internship or Elective - 3
Global Issues in Design & Visuality: 21st Century 3 -
Art History/Design Studies Elective - 3
Liberal Arts Elective 3 -
University Lecture Elective - 3
Total 18 18
Senior Year F S
Senior Seminar 3 3
Senior Seminar Lab 2 2
Senior Thesis Tutorial 1 1
Studio Electives 3 3
Senior Seminar (Art & Design Studies) 3 -
Advanced Art History/Design Studies Elective - 3
Liberal Arts Elective 3 -
Total 15 12

TOTAL CREDITS 134

Electives
Advanced Color Printing, Advanced Light: Style and Magic, Adventures in Location Production, The Artistic Career: Editing, Curating, & Application, Artists’ Books, Conceptual Processes, Contemporary Strategies, Copyright and Contract Negotiation, The Digital Studio: The Art of Lighting and Work Flow, Documenting Community 1 & 2, Experiments: Pixel to Paper, Exploring the Narrative in Video, Fashion Photography 1 & 2, Independent Study, Instinct & Metaphor, Intimate Portrait, The Personal Essay, Portraiture, Postmodern Currents, Professional Internship, Sexuality, Nudity & Beauty in Photography, Transitioning to the Professional World, The Urban Landscape

Photography Degree at Maryland Institute College Of Art

MICA approaches photography as a fine art medium; more than 100 years ago we had one of the first formal programs of photographic instruction in the world. Today, our curriculum thoroughly covers all areas of still and digital photography and offers students a strong background in the technical and aesthetic applications, history, and contemporary directions of this medium.

Basic and intermediate courses provide a solid technical foundation. Junior Seminar allows you to concentrate on an individual project and begin to establish a personal photographic vision. The intense, yearlong Senior Thesis seminar allows you to explore a specific personal photographic idea in depth and to produce a body of work that is intellectually and artistically integrated. Both junior and senior seminars incorporate ongoing critiques and expose students to a diverse group of outside artists and critics. Seniors have separate spaces to support work towards the required senior thesis project and the intensive, 6-credit senior thesis seminar. The seminar is team-taught by two faculty members and enhanced by a series of visiting artists and critics. Work on the senior thesis can incorporate a semester of study abroad or mobility, if that will be helpful in the exploration of an individual photographic direction.

Because we believe strongly in the value of professional development, all photography majors are required to complete at least one photorelated internship. A busy schedule of visiting artists connects students with many of the most important photographers working today, including, recently: Willie Doherty, audiovisual installation artist; Robert and Shana ParkeHarrison, collaborative surrealist photographers; Emmet Gowin, photography faculty, Princeton University. MICA alumni work in diverse photographic occupations such as studio, commercial illustration, medical, architectural, nature, magazine and newspaper photography; and as museum curators, teachers, digital photographers, and fine artists. Senior photography majors are eligible to apply for a $4,000 Meyer Photography Traveling Scholarship to finance a personal photographic project in the United States or abroad after graduation.
Faculty—Diverse Perspectives

The photography faculty at MICA represent a wide array of interests and creative focus—among them are Alex Heilner, whose work includes digital photography, video, and installation; Lynn Silverman, whose large-format photographs explore the intimate nature of inanimate things; internationally exhibited fine art photographer Regina DeLuise; chair Jack Wilgus, whose focus encompasses a broad array of explorations, from the camera obscura to archival digital printing; Connie Imboden, known for her stylized and sometimes surreal nudes; Tom Baird, whose work explores the history and roots of photography and who engages students to connect with community through social documentary photography.
Recent Internships

The required internship in photography is an opportunity to explore the wide range of career opportunities open to photography graduates. A few recent internship sites:
Oneira Graphics, Baltimore (product photography/custom snowboards)
Starworks, New York (logistics for advertising and fashion shoots)
Dock 25, Boston (digital commercial photography)
Maryland Historical Society, Baltimore (scanning & retouching historical images)
Baltimore Police Department Crime Lab (photography)
Library of Congress, Prints & Photographic Division, Washington, D.C. (curatorial & research projects)
Johns Hopkins Hospital, Pathology Division, Baltimore (biomedical photography)
The Baltimore Sun (editorial photography)
Jessica Wynne Studio, New York (editorial photography)
Facilities

MICA’s photographic darkrooms are well equipped with temperature-controlled sinks with excellent ventilation and proper silver recovery. Equipment includes: 50 enlargers and a separate film-processing lab; alternative process and graphic arts lab; a wheelchair-accessible darkroom; 10 well-equipped color darkrooms with two roller transport color processors that make prints up to 30” x 40”; a spacious studio with professional flash and quality lighting; a wide range of cameras, meters, scanners, and processing equipment; a dedicated photo-digital lab with 18 computer stations for digital imaging, photographic manipulation, and Web-related presentations.