Posts Tagged ‘introduction to photography’

Photography Credit Requirements at Hartford College for Women

Photography Credit Requirements

The typical photography curriculum is as follows:
Sophomore
6 Introduction to Photography I & II
3 Visual Communication Design, Drawing, Painting, or Illustration
3 Printmaking, Video or Media Arts
3 Sculpture or Ceramics
3 Studio Elective
3 AUC Other Cultures or Academic Requirement
4 AUC Science/Tech. or Academic Requirement
3 Mathematics or Academic Requirement
3 Academic Elective
Junior
3 View Camera: Field and Studio
3 Color Photography I
3 Junior Seminar in Photography
3 Digital Photography
6 Studio Electives
3 Art History or Academic Requirement
3 AUC Western Heritage or Academic Requirement
3 AUC Social Context or Academic Requirement
3 Academic Elective
Senior
3 Senior Seminar in Photography
9 Photography Electives: Color II, Sicily Travel Class Advanced Printing Techniques, Studio Lighting, Documentary, Photojournalism, Experimental Processes
6 Studio Electives
3 History of Photography or Art History
3 Academic Elective
6 Unrestricted Elective

Photographing People Degree at Australian Correspondence Schools

Course Code BPH102
Fee Code S2
Number of Assignments 10
Duration (approx) 100 hours

When we think of photographing people, we automatically think of taking a portrait, but not all people photography is portraiture.

A portrait is (according to one dictionary definition) a painting, drawing or photograph of a person, often only the face or a description. A photographic portrait focuses on the person and attempts to convey an image of what or who the person is, whether physically, or perhaps spiritually or emotionally. There is also the group portrait, usually an image of a small number of people (siuch as a team or family portrait).

However, people can also be photographed in other ways, where the focus might not be the individuals being photographed, but the social or cultural context (fashion, news events, sporting events etc.) or their relationship to the scene in which they are placed.

This course is designed for persons who already have some experience with photography to help them develop their ability to take better photographs of people.


COURSE STRUCTUREThere are ten lessons as follows:

1. Introduction to Photography and Human Subjects

2. Equipment and Materials for Photographing People

3. Basic Techniques

4. Portraiture

5. Wedding Photography

6. Candid Photography

7. Nude Photography

8. Sports, Street & Action Photography

9. Fashion Photography

10. Folio Project

Duration: 100 hours

Aims

Identify resources that could improve your ability to photograph people, examining the principles of photography and also exploring the issues related to digital photography.
Discuss the preparation for a photo shoot by exploring the different equipment and materials needed for a successful shoot. Also examine lighting a subject within a studio setting and explores digital photography issues
Discuss techniques used for taking photos of people
Improve your ability to shoot better portraiture photographs.
Explain the issues and applications concerned with wedding photography.
Take better candid photos of people.
Describe how to take appropriate nude photos for different situations.
Describe how to take action photos of people.
Describe how to take better glamour and fashion photos.
Compile a folio of people photography.

MEMBERSHIPS AND AFFILIATIONS:
THE INTERNATIONAL ACCREDITATION AND RECOGNITION COUNCIL
THE AUSTRALIAN COUNCIL FOR PRIVATE EDUCATION AND TRAINING
AGP (ACS GLOBAL PARTNER)
BRITISH INSTITUTE FOR LEARNING AND DEVELOPMENT
STUDY GOLD COAST

Introduction To Photography Degree at Australian Correspondence Schools

Course Code BPH100
Fee Code S1
Number of Assignments 8
Duration (approx) 100 hours

Comment from one of our Introduction to Photography students:

“Glad I signed up” G. Gadja

Throughout this course reference will be made back to our own perception of light through our eyes and the similarities and differences between the eye and the camera. One crucial fact underlies all photography, and for that matter, any “visual recording” medium. That fact is that although many and various technologies can produce images, the quality of those images is eventually judged by our own eyes. They act as a parameter for our technological design.

COURSE STRUCTURE

You will be given instructions throughout this subject guide to do various things … you may be asked to contact an organisation, you may be given something to read, or some information to research. Various tasks will be given to you to develop your knowledge and abilities in photography care. Along with these tasks, you will also be given a number of questions to answer at the end of each lesson. You are required to submit them as an assignment to your tutor.

1. Origins of Photography:

To discuss the principles those underpins photography and examine the evolution into digital technologies.

2. Film

To explain how photographic images are able to be captured on film or digitally. This lesson will also explain how photographic images are able to be captured by digital cameras.

3. Photo Equipment: Cameras

To provide you with a firm understanding of how you can work at improving your capabilities with respect to taking photographs

4. Photo Equipment

To determine appropriate application for a range of common items of photographic equipment and develop an understanding of how digital images can be transferred effectively from a digital camera

5. Processing/Developing Images

Developing Different Film Types, Processing Solutions, Fixer, Developer, Stop Bath, Fixing, Washing, Wetting Agents, Drying, etc.

6. Enlarging and Photo Manipulation

Describe the process by which photographic film may be enlarged. Also explains techniques that can be used to process digital photographs within a computer to achieve improved or changed images.

7. Lighting

To work more effectively with light when taking photographs.

8. Fault Finding

Common Problems, and how to deal with them.

AIMS
Discuss the principles those underpins photography and examine the evolution into digital technologies.
Explain how photographic images are able to be captured on film. This lesson will also explain how photographic images are able to be captured by digital cameras.
Provide you with a firm understanding of how you can work at improving your capabilities with respect to taking photographs. It provides a framework, upon which you will base your work in future lessons.
Determine appropriate application for a range of common items of photographic equipment and develop an understanding of how digital images can be transferred effectively from a digital camera
Explain how photographic film is developed.
Describe the process by which photographic film may be enlarged. Also explain techniques that can be used to process digital photographs within a computer to achieve improved or changed images.
Work more effectively with light when taking photographs.
To identify and avoid common faults in photographs.

Extract from Course Notes

CAMERA STABILITY

On shutter speeds under 1/125 second, chances of the picture being blurred are high (because of either camera movement or movement of the subject).

EXAMPLE:

If the correct exposure combination on an overcast day for 100 ISO film is F16 and a 30th second, you will risk camera shake.

(NB: When shutter speed or F stop is altered, this doubles or halves the exposure. Both variables thus alter the amount of light entering the camera in the same proportion; but in different ways).

Instead of F16 at a 30th you could choose one of the following:

F11 at a 60th (You determine this by doubling the light via the aperture and halving the shutter speed…the result is the same).
F8 at a 125th of a second
F5.6 at a 250th of a second.

By operating at F8 or F5.6 we can reduce the chance of camera movement.

If you want to freeze movement in a picture (eg: If you are photographing a moving person or animal), the lowest speed you should use is a 125th second.

If there is rapid movement or movement closer to the camera, then the photograph needs to be taken at a higher speed.

To stop a car speeding past at 75 kph for example, you would need a 1000th second whereas if the same car was moving towards or away from the camera a minimum speed of 1/125th would be acceptable.

Everyone’s ability to hold a camera still varies, as does every situation where you photograph moving objects, so despite recommendations, it is only experience which will teach you what minimum speeds you can use in different situations.

What happens when the meter tells you to set F stop at 2.8 and film speed at a 15th second; and F2.8 is our maximum working aperture. We have no choice but to follow the meter’s direction. If we had expected to shoot in dim light, we could have used a faster film (ie. with a higher ISO).

The other option is to hold the camera still and not photograph anything with much movement.

Camera movement can be reduced the following ways:

· Tripod and cable release.
Your finger pushing the shutter button can move a camera on a tripod. By using a cable attachment, you can release the shutter by pressing a plunger in the cable, greatly reducing any chance of camera movement.

· Sit the camera on a solid object.
Sitting the camera on top of a wall, fence, table or some other solid object, and composing your picture from that point.

· Using a timer mechanism to release the shutter.

· If the camera is sitting on a solid object or a tripod, you can set a ten second delay so the shutter releases without you pushing it and risking movement.

· Lean your body against a wall, fence or some other solid object when taking the photograph.
This reduces body movement.

· Stand with your legs apart.
This gives greater stability than with legs close together.

· Breathe out slowly and evenly as you press the button.

Associate Diploma In Photography at Australian Correspondence Schools

Course Code VPH011
Fee Code AS
Number of Modules 15
Duration (approx) 1500 hours

COURSE CONTENT

This course is made up of 15 modules, listed below. Details can be seen on the relevant websites.

Introduction to Photography

Discuss the principles those underpins photography and examine the evolution into digital technologies.
Explain how photographic images are able to be captured on film. This lesson will also explain how photographic images are able to be captured by digital cameras.
Provide you with a firm understanding of how you can work at improving your capabilities with respect to taking photographs. It provides a framework, upon which you will base your work in future lessons.
Determine appropriate application for a range of common items of photographic equipment and develop an understanding of how digital images can be transferred effectively from a digital camera
Explain how photographic film is developed.
Describe the process by which photographic film may be enlarged. Also explain techniques that can be used to process digital photographs within a computer to achieve improved or changed images.
Work more effectively with light when taking photographs.
To identify and avoid common faults in photographs

Associate Diploma In Media at Australian Correspondence Schools

Course Code VPH003
Fee Code AS
Number of Modules 15
Duration (approx) 1500 hours

This course is designed as a foundation for a career in either electronic or print media publishing.

The course aims to provide a broad cross section of skills which are of value in a publishing organisation.

Research has shown that graduates with broad based knowledge such as this have enhanced career prospects.

Modules required include (Click on underlined modules for more details):
Publishing I
Freelance writing
Advanced freelance writing
Publishing II
Introduction to photography
Photographic technology
Photographic practice
Editing I
Writing an internet web site (HTML)
Adobe Photoshop
Advertising and promotions
Research project I
100hrs industry meetings
plus two elective modules chosen from the fopllowing: Publishing II, Publishing III, Editing II, Photographic Lighting, Photographing People, Children’s Writing, Technical Writing, E Commerce, ASP.Net programming, Macromedia Flash, or Visual Basic.Net.

MEMBERSHIPS AND AFFILIATIONS:

THE INTERNATIONAL ACCREDITATION AND RECOGNITION COUNCIL

THE AUSTRALIAN COUNCIL FOR PRIVATE EDUCATION AND TRAINING

AGP (ACS GLOBAL PARTNER)

BRITISH INSTITUTE FOR LEARNING AND DEVELOPMENT

STUDY GOLD COAST

Photography Degree at Camberwell College of Arts United Kingdom

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There’s a world of difference between portrait photography and guerrilla filmmaking, but Camberwell bridges the divide with a selection of courses taught by acknowledged experts.
From still pictures and their digital manipulation through to the moving image and the whole process of editing, you’ll gain real confidence and new skills.

Take better photographs
In this highly involving course, you’ll have the opportunity to discuss your work with your group
Introduction to photography
The course is designed to bring you greater confidence and more control over your photography.
Intermediate photography
Making the most of Camberwell’s excellent facilities, the tutor explores both analogue and digital
Photography: fulfilling your potential
This course is designed to give you the confidence to reach your full potential in the field of phot
Photographic portfolio development
This course is aimed at people who already have a good understanding of technique, but want to take
Portrait photography
In this course you’ll be given a solid grounding in the techniques you need to create strong and
Stereo photography
This course is a practical one looking at different methods of generating three dimensional images
Location photography
Exploring a different location each day, you’ll be provided with new and challenging subject matter,
Digital landscape photography
The course offers the opportunity to spend time on location in the city, exploring how photography
Photography, representation & space
You will gain new photographic techniques and a conceptual approach to the representation of space
Hi tech/lo tech photography
This course will provide intensive practice based activities with the intention of understanding pho
Large format black & white photography
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Early photographic processes
A practical hands-on introduction to early photographic processes
Animation using Flash
The majority of the class will be devoted to bringing that storyboard to life with Macromedia Flash – the leading contemporar
Editing in Final Cut Pro 4
Learn how to edit professionally using Final Cut Pro editing software
Take Better Photographs
In this highly involving course, you’ll have the opportunity to discuss your work with your group

BFA in Drawing and Painting at State University of New York College at Fredonia New York

Requirements for the Bachelor of Fine Arts in Drawing and Painting

Requirements may differ according to date of enrollment. Current students should check their college catalog.
Requires admission to major. 18-credit hour Foundation Program plus 55 credit hours of Major Requirements. Total credit hours required: 73+ Visiting Artist Program.

Course Number Title Credit Hours

Foundation Program (18 credit hours):
ART 115 Masterpieces in Art to 1400 3
ART 116 Masterpieces from 1400-Present 3
ART 100 Visual Literacy 3
ART 150 Drawing I 3
ART 155 2-D Design 3
ART 257 3-D Form and Content 3
or ART 273 Handforming Clay

Drawing and Painting Major Requirements (55 credit hours):

ART 151 Drawing II 3
ART 252 Life Drawing I 3
ART 253 Life Drawing II 3
ART 255 Introduction to Photography 3
ART 258 Figure Modeling 3
ART 263 Relief Painting 3
ART 285 Painting I 3
ART 368 Monotypes 3
ART 357 3-D Methods and Materials 3
or ART373 Ceramic Form and Function 3
ART 387 Intermediate Drawing and Painting 3
ART 487 Advanced Drawing and Painting 3
ART 441 Directed Study in Drawing and Painting 3
ART 495 Independent Studio Project 3
THEA 226 Scene Painting I 3
THEA 427 Scene Painting II 3
Art History Electives 6
ART and MEDA studio electives 6
Senior Exhibition 1

Requirements BA Ceramics at State University of New York College at Fredonia New York

Requirements for the Bachelor of Fine Arts in Ceramics

Requirements may differ according to date of enrollment. Current students should check their college catalog.
Requires admission to major. 18-credit hour Foundation Program plus 55 credit hours of Major Requirements. Total credit hours required: 73+ Visiting Artist Program.

Course Number Title Credit Hours

Foundation Program (18 credit hours):
ART 115 Masterpieces-Art to 1400 3
ART 116 Masterpieces-Art from 1400 to the Present 3
ART 100 Visual Concepts 3
ART 150 Drawing I 3
ART 155 2-D Design 3
ART 257 Sculptural Form and Content 3
or ART 273 Handforming Clay

Ceramics Major Requirements (55 credit hours):

Ceramics students must take ART 257 Sculpural Form and Content as part of the Foundation Program
ART 252 Life Drawing I 3
ART 255 Introduction to Photography 3
ART 258 Figure Modeling 3
ART 273 Handforming Clay 3
ART 274 Pottery on the Wheel 3
ART 285 Painting I 3
ART 373 Ceramic Form and Function 3
ART 374 Vessels as Sculpture 3
ART 441 Directed Studio Project 3
ART 495 Independent Studio Project 3

ART and MEDA studio electives
** Electives may emphasize another major within the visual arts as advised
18**

Art History Electives
6

ART 460 Senior Seminar 1

Animation and Illustration Degree at State University of New York College at Fredonia New York

Requirements for the Bachelor of Fine Arts in Animation and Illustration

Requirements may differ according to date of enrollment. Current students should check their college catalog.
Requires admission to major. 18-credit hour Foundation Program plus 55 credit hours of Major Requirements. Total credit hours required: 73+ Visiting Artist Program.

Course Number Title Credit Hours

Foundation Program (18 credit hours):
ART 115 Masterpieces in Art to 1400 3
ART 116 Masterpieces from 1400-Present 3
ART 100 Visual Literacy 3
ART 150 Drawing I 3
ART 155 2-D Design 3
ART 257 3-D Form and Content 3
or ART 273 Handforming Clay

Animation and Illustration Major Requirements (55 credit hours):

ART 151 Drawing II 3
ART 252 Life Drawing I 3
ART 255 Introduction to Photography 3
ART 258 Figure Modeling 3
ART 285 Painting I 3
ART 380 Illustration I 3
ART 381 Illustration II 3
ART 420 Illustration III 3
MEDA 205 Introduction to 2-D Animation 3
MEDA 305 Intermediate 2-D Animation 3
MEDA 405 Advanced 2-D Animation 3
MEDA 301 Media Performance I 3
MEDA 496 Animation and Illustration Capstone 3
ART and MEDA studio electives 9
Art History Electives 6
Senior Exhibition
1

Courses BFA in Photography at Kendall College of Art and Design

In addition to studies in their program major, all of our students puruse a well-rounded education in foundational design, Liberal Arts and Sciences, Art History, and interdisciplinary and special studies.

Here are the course requirements for this major:
KCPH 120 – Introduction to Photography – 3 Credits
Prerequisites: KCFN 110 or KCVC 113.

An introduction to the fundamentals of photography and 35mm adjustable camera operation. This course includes beginning black and white film development and darkroom printing. The aesthetics of photography will be discussed in terms of its history, and artistic and technical advancements. (Students who have earned credit for VISC 212, Photography, may not use credit earned in KCPH 120 to meet graduation requirements.) Formerly KCFA 261.
KCPH 220 – Intermediate Photography – 3 Credits
Prerequisites: KCPH 120

The refinement of black and white film exposure and darkroom techniques using the zone system. An introduction to studio and artificial lighting techniques as well as extensive work with manipulation of the photographic image. Subject matter and imagery will be emphasized, along with a continuation of the study of photographic history and aesthetics. Formerly KCFA 262
KCPH 225 – Digital Photography I – 3 Credits
Prerequisite: KCPH 120

An introduction to photography’s digital tools: digital cameras, manipulation, and output. Exploration of consumer and pro-sumer level digital cameras and digital lighting considerations. Introduction to Photoshop, especially image compositing and manipulation. An introduction to film and flatbed scanning, resolution, color correction and digital output. The aesthetics unique to the digital environment, as well as its history will be examined.
KCPH 230 – Color Photography – 3 Credits
Prerequisites: KCPH 220

An extensive exploration of color photography with an emphasis placed on color negative printing. A study of color theory as it applies to light and film and the contemporary use of color by photographers. Content issues, as well as history, theory, and aesthetic approaches will be emphasized. Formerly KCFA 363
KCPH 240 – Lighting for Photography – 3 Credits
Prerequisites: KCPH 230.

An introduction to the fundamentals of using and modifying both ambient and studio lighting. This course includes the use of both hot and cold studio lighting for digital and analog photography, including color balancing the light source to specific films. Lighting theory and the history of studio photography will also be discussed. Formerly KCFA 264
KCPH 303 – Special Topics in Photography – 3 Credits
Prerequisites: KCPH 230

Rotating topics in photography utilizing the specific skills and interest of the faculty, community professionals, and visiting artists. Topics may be subject oriented (such as landscape, portrait, documentary, or photojournalism), technique oriented (manipulated image, directorial mode, or alternative process), or issue oriented (visual semiotics, new topographies, etc.)
KCPH 310 – Photo Seminar – 3 Credits
Prerequisites: Junior standing or department consent.

Reading, lecture, and discussion of classic and contemporary essays that outline the important areas of critical discourse in photography including philosophical and psychological theory.
KCPH 325 – Digital Photography II – 3 Credits
Prerequisites: KCPH 225

Advanced digital capture, manipulation, and output with emphasis on digital workflow and color space management. Focus on the use of high-end digital cameras, scanning backs, drum scanners and film recorders for the production of giclee-type prints for exhibition. Discussion of archival issues as related to digital output.
KCPH 340 – Studio Photography – 3 Credits
Prerequisites: KCPH 240

Using medium and large format cameras in the photo studio, especially for perspective control. Exposure control using the zone system. Lighting, posing and staging techniques that are used in classic studio photography including still life, models, food, and fashion. An examination of these classic techniques as applied to fine art photography.
KCPH 403 – Seminar in Photography – 3 Credits
Prerequisites: Upper-lever students

Seminar dealing with special interests in photography.
KCPH 410 – Professional Photographic Practices – 3 Credits
Prerequisites: Senior standing or department approval

A range of practical, legal and ethical issues for the professional photographer including writing an artist’s statement, resumes, business promotional materials, marketing, small business practices, financial practices, and portfolio presentation. Emphasis will be placed on applying to juried shows and the production of a gallery exhibition.
KCPH 430 – Photography Thesis I – 3 Credits
Prerequisites: Senior standing or department approval

Emphasizes the production of a unified body of work emphasizing conceptual development and creative decision-making. Includes individual and group critiques. Formerly KCFA 403
KCPH 460 – Photography Thesis II – 3 Credits
Prerequisites: KCPH 430

Emphasizes responsibility for the creation of a cohesive body of work that displays conceptual continuity and technical integrity. Includes individual and group critiques. The student is required to install a thesis exhibition to complete the BFA degree in photography. Formerly KCFA 460

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