Posts Tagged ‘humanities’

AS in Photography at Amarillo College

Associate in Arts
Major Code – PHTC.AS

Parallels the first two years of most four-year institutions offering a major in Photography. Students must provide for their own use the following equipment: digital camera (of design approved by instructor), light meter, flash unit and tripod.
Program Requirements
General Education Requirements (42 Semester Hours)
Communication – 9 Hours
Speech
ENGL 1301 – Freshman Composition I
ENGL 1302 – Freshman Composition II
Social/Behavioral Sciences – 15 Hours
Social/Behavioral Science
GOVT 2305 – Government of the United States
GOVT 2306 – Government of Texas
HIST 1301 – History of the United States I
HIST 1302 – History of the United States II
Humanities – 3 Hours
Humanities
Fine Arts – 3 Hours
Fine Arts
Mathematics – 3 Hours
Mathematics
Natural Sciences – 8 Hours
Natural Sciences
Lifetime Fitness – 1 Hour
Lifetime Fitness
Major Course Requirements (9 Semester Hours)
ARTS 2356 – Fundamentals of Photography I
ARTS 2357 – Fundamentals of Photography II
DRAM 2366 – Introduction to Film
Recommended Courses (12 Semester Hours)

Students will be advised for other courses based on the university to which they plan to transfer.

Master in Language Training at University Of California Santa Barbara

Our program emphasizes advanced language training as the foundation for research on East Asian cultures. The philosophy of the EACLS M.A. program is to provide students with a solid foundation of knowledge in one or more East Asian languages in addition to broad opportunities for cross-cultural and multi-disciplinary studies of East Asian modernities and traditions. The coursework concentrates on the humanities, including history, literature, religious studies, anthropology, linguistics and the arts. Students progress through a sequence of core seminars that provide a shared foundation in key methodological and theoretical issues in the academic study of East Asia.

Photography Technology Requirements at County College Of Morris

Degree Requirements

ART 130 Two Dimensional Design – AFA 3
BUS 219 Small Business Operations 3
ENG 111 English Composition I 3
ENG 112 English Composition II 3
HED 000 Health Education Electives 1-3
HUM 000 Humanities Electives 3
MAT 000 Mathematics Electives 3/4
PHO 000 Photography Electives 3
PHO 112 Equipment, Materials and Processes 3
PHO 113 History of Photography 3
PHO 115 Photography I 3
PHO 116 Photography II 3
PHO 117 Color Photography I 3
PHO 119 Contemporary Photography 3
PHO 204 Digital Imaging I 3
PHO 215 Large Format Photography 3
PHO 216 Studio Lighting I 3
PHO 226 Portfolio Preparation 3
PHO 227 Professional Studio Photography 3
SCI 000 Science Elective 3/4
SCI 000 Science Electives 3
SOC 000 Social Science Electives 3

This is a general guide to program requirements. For a complete list of electives and degree requirements, ask for a curriculum check sheet and consult with your academic advisor. Do not use this as a primary basis for selecting courses.

Photography Video and Related Media Graduate at School Of Visual Arts

The graduate program in photography, video and related media at SVA brings together traditional and digital lens-based arts. Students in the photography graduate school are encouraged to explore ways they can utilize new technology to engage creative potential and advance in their fields. Request a catalog to learn more about the graduate school of photography, video and related media at SVA.

As an innovative leader in teaching creative lens-based arts, our focus is to challenge traditional assumptions of how the mediums of photography and video are taught. We believe that photography is a universal matrix for the documentation of the world. The complexities of 21st-century cultural relationships-between and amongst photography and the fine arts, communications, sciences and the humanities-require examination and analysis in order to produce original imagery that stems from the exploration of these relationships. It is this quest that this program strives to cultivate.

Being one of the first graduate programs to initiate digital practice, the implications of new technology form the cornerstone of our thinking as we continue to evolve new strategies for engaging creative potential. Our teaching holds that the computer is unlike other forms of expression. The virtual world is an exciting realm of exploration and innovation for the lens-based artist.

We seek to expand the photographic vocabulary and consider the implications that design, video, hypermedia, telecommunications and other electronic components have on the medium. By exposing our students to these potentialities, we open an arena in which to revolutionize and redefine visual practice, supported by a strong foundation of historical discourse, theoretical dialogue and technical assistance. New York City and all that it has to offer as a cultural capital – its communications network, museums and galleries – are part of this exploration.

Our faculty is a reflection of our diversity and of our desire to constantly explore imaginative uses of lens-based arts. They are committed professionals in the world of imagery and are guided by their curiosity and concern for witness, observation and testament, giving students a greater awareness and responsibility for these concerns.

The video track recognizes the arguably dominant position that video, film and television have taken in our society and in our culture. The tools for work in video are new, and we are only beginning to understand their potential. The medium has great value in its potential to communicate in ways that other verbal and visual languages can not. Our curriculum examines the important work that can be achieved in the development of a rich, trustworthy and relevant video language. We begin this new media study and practice with a considered sense of cultural and intellectual exploration.

Our students have many options within the program to pursue their interests, whether in the traditional practice of photography, the moving image or the virtual realm of the circuit. We accept that all of these options are related and interdisciplinary in nature, and international in their reach. Each of us has a voice in the greater realm of our society where creativity is no longer the reserve of the elite. Our multicultural dialogue nourishes creativity and allows for individual talent to flourish. However, we expect every student to be held accountable for making a contribution by bearing witness, giving testament and observing the social issues and concerns of our time