Posts Tagged ‘film animation’

Film and Animation Degree at School of the Museum of Fine Arts Massachusetts

The Film/Animation area offers a range of courses that build critical, conceptual, and technical skills in production and post-production in all genres and gauges, including single-screen and multiple projection. Seminar courses examine film and animation’s history through contemporary thought, aesthetic and historical movements, and cultural practice.

Whether hand-processing celluloid, shooting with the Bolex or 24-frame Panasonic digital camera, editing on the Steenbecks or in the Avid suite, animating images frame-by-frame or projecting two screens side by side, you will work with both traditional and cutting-edge processes. We encourage individual projects, and advanced students are encouraged to finish on to film, enabled by our Oxberry animation stand, JK optical printer, matchback capabilities in digital post, and the 16mm developer and contact printer. You also have the option to produce digitally in Final Cut Pro, Pro Tools, Avid, and Flash in our individual and group edit suites.

Screenings and visiting artists and critics are a regular part of the semester, providing exposure to a wide variety of contemporary, personal, and experimental works.

Curriculum of BFA Film Animation at University Of The Arts Philadelphia

Program Total Credits: 135
Foundation Year Credits: 33

Foundation students are eligible to select any College of Art and Design major program regardless of the Foundation sequence they attend.
FOUNDATION
Fall Credits: 16.5

Students entering the Foundation program through midyear admission (spring semester) will enroll in these courses for the spring semester, and then take their second Foundation semester during the Summer Foundation semester, May/June.
Elective Credits: 1.5 cr, 3 hrs
FNDP 111 – Drawing Credits: 3 cr, 6 hrs
FNDP 151 – Two-Dimensional Design Credits: 3 cr, 6 hrs
FNDP 161 – Three-Dimensional Design/Time Motion Credits: 3 cr, 6 hrs
LAAH 111 – Art History Survey I Credits: 3 cr, 3 hrs
LACR 101 – First-Year Writing I Credits: 3 cr, 3 hrs
Spring Credits: 16.5
Elective Credits: 1.5 cr


Select three courses from the following fou
r:
FNDP 112 – Drawing Credits: 3 cr, 6 hrs
FNDP 152 – Two-Dimensional Design Credits: 3 cr, 6 hrs
FNDP 162 – Three-Dimensional Design Credits: 3 cr, 6 hrs
FNDP 171 – Time and Motion Credits: 3 cr, 6 hrs

LAAH 112 – Art History Survey II Credits: 3 cr, 3 hrs
LACR 102 – First-Year Writing II Credits: 3 cr, 3 hrs
Sophomore Year Credits: 33
Fall Credits: 18
WRIT 251 and WRIT 252 Narrative Cinema I and II are required of all Film/Animation majors as part of the total Liberal Arts distribution.
ILUS 285 – Drawing for Animators Credits: 3 cr, 6 hrs

Can be taken either fall or spring semester.

MAAN 201 – Introduction to Animation I Credits: 3 cr, 6 hrs

Can be taken either fall or spring semester.
MAFL 201 – Introduction to Film I Credits: 3 cr, 6 hrs
MAPH 201 – Introduction to Photography I Credits: 3 cr, 6 hrs

Can be taken either fall or spring semester.

WRIT 251 – Narrative Cinema I Credits: 3 cr, 6 hrs
Select one course from the following two:
LACR 210 – Texts & Contexts: Perspectives on the Humanities Credits: 3 cr, 3 hrs
LACR 22X – Scientific Inquiry Foundation Track (SIFT) Credits: 3 cr, 3 hrs
Spring Credits: 15
WRIT 251 and WRIT 252 Narrative Cinema I and II are required of all Film/Animation majors as part of the total Liberal Arts distribution.
MAAN 202 – Introduction to Animation II Credits: 3 cr, 6 hrs
MAAN 231 – Introduction to Computer Animation Credits: 3 cr, 6 hrs

Can be taken either in the fall or spring semester.

MAFL 202 – Introduction to Film/Digital Video Credits: 3 cr, 6 hrs
WRIT 252 – Narrative Cinema II Credits: 3 cr, 6 hrs
Select one course from the following two:
LACR 210 – Texts & Contexts: Perspectives on the Humanities Credits: 3 cr, 3 hrs
LACR 22X – Scientific Inquiry Foundation Track (SIFT) Credits: 3 cr, 3 hrs
Junior Year Credits: 36
Fall Credits: 18
Liberal Arts Credits: 6 cr
MAAN 301 – Junior Animation Workshop I Credits: 3 cr, 6 hrs
MAFL 301 – Junior Cinema Production I Credits: 3 cr, 6 hrs
MAFL 311 – Sync-Sound for Narrative Film Credits: 3 cr, 6 hrs
Select one course from the following two:
MAAN 232 – 2-D Computer Animation Credits: 3 cr, 6 hrs
MAAN 331 – 3-D Computer Animation Credits: 3 cr, 6 hrs
Spring Credits: 18
Liberal Arts Credits: 6 cr

MAAN 302 – Junior Animation Workshop II Credits: 3 cr, 6 hrs
MAAN 341 – Moving Art: Animation Theory and Production Credits: 3 cr, 6 hrs
MAFL 302 – Junior Cinema Production II Credits: 3 cr, 6 hrs
MAFL 331 – Experimental Video Credits: 3 cr, 6 hrs
Senior Year Credits: 33
Fall Credits: 18
Electives Credits: 3 cr
Liberal Arts Credits: 6 cr
MAAN 401 – Sr. Animation Workshop I Credits: 3 cr
MAFL 401 – Senior Cinema Production I Credits: 3 cr, 6 hrs
Select one course from the following two:
MACR 443 – Time: A Multidisciplinary Seminar Credits: 3 cr, 6 hrs
WRIT 220 – Writing for Film Credits: 3 cr, 4 hrs
Spring Credits: 15
Liberal Arts Credits: 3 cr

MAAN 402 – Sr. Animation Workshop II Credits: 3 cr
MACR 499 – Internship Credits: 3 cr, 6 hrs
MAFL 320 – Film Forum: Selected Topics Credits: 3 cr, 6 hrs
MAFL 402 – Senior Cinema Production II Credits: 3 cr, 6 hrs
Liberal Arts Distribution

Note all Liberal Arts courses are 3 credits.
Liberal Arts Electives Credits: 15 cr
LAAH 111 – Art History Survey I Credits: 3 cr, 3 hrs
LAAH 112 – Art History Survey II Credits: 3 cr, 3 hrs
LACR 101 – First-Year Writing I Credits: 3 cr, 3 hrs
LACR 102 – First-Year Writing II Credits: 3 cr, 3 hrs
LACR 210 – Texts & Contexts: Perspectives on the Humanities Credits: 3 cr, 3 hrs
LACR 22X – Scientific Inquiry Foundation Track (SIFT) Credits: 3 cr, 3 hrs
LAPI 8XX – Liberal Arts Period Interpretation – Pre-20th Century Credits: 3 cr, 3 hrs
LAPI 9XX – Liberal Arts Period Interpretation – 20th Century Credits: 3 cr, 3 hrs
WRIT 251 – Narrative Cinema I Credits: 3 cr, 6 hrs

Film Animation BFA Tuition and Fees at Concordia University Montreal

Program Type

Quota Program: The number of qualified applicants may exceed the number of places available. Therefore, even if you have the stated minimum requirements, you are not guaranteed admission to these particular programs. Entry to these programs is both competitive and selective, and closing dates for applications are stringently applied. Departmental recommendation needed.
Program Availability

Admission to this program is only available for the Fall Term.
Yearly Capacity

40
Concentrations
Major
Minor
Program Requirements
Cegep profile: There is no specific profile required. However, the completion of an arts profile at Cegep will aid applicants in the building of a successful portfolio.

Additional Requirements

In addition to the Admission Application, applicants to the Major or Minor in Film Animation must submit a portfolio directly to the School of Cinema. It must not be sent to the Admissions Application Centre. The dossier must include: transcripts, a letter of intent, a portfolio, and an Admissions Evaluation form.

Portfolio Submission Dates
Fall Term: February 23 – 26 (portfolios submitted by mail must be received no later than March 6)

Admissions Evaluation Form
The evaluation form must be completed and submitted with the portfolio. If applying to multiple programs within the School of Cinema, applicants must list and rank their choice of programs on the form. Applicants may contact the School to request a copy of the form or download it directly from cinema.concordia.ca/forms.

Transcripts
Applicants must submit a photocopy of their most recent academic record(s) with their portfolio. These should include, where applicable, high school, community college, Cegep, and university transcripts. This is a student copy of the transcript(s) and not the official copy sent to the Admissions Application Centre.

Letter of Intent
Applicants are required to submit a 500- word letter of intent, written in either English or French. This letter should indicate the applicant’s reasons for applying to the School of Cinema as well as his/her expectations of the program. The letter should also describe past achievements and shortand long-term goals, as they relate to the area of cinema.

Portfolio: Film Animation

The portfolio should exemplify the applicant’s personal creative activity and reflect his/her level of maturity and understanding of the Fine Arts practice. It should contain a diverse and representative collection of the applicant’s work, including such items as drawings, films, sculpture, complete sketchbooks, paintings, photography, fibres, ceramics. Original artwork is preferred. (Photocopies of work may not be submitted.) Large-scale works (greater than 20” x 24”) must be submitted in photograph format. Films may be submitted in digital format, on CD or DVD, and formatted for PC. The admission jury will only view work in standard Quicktime, AVI, or JPEG file formats. It is recommended that the portfolio demonstrate familiarity with Adobe Photoshop or other relevant software.

General Portfolio Guidelines
Applicants applying for both the Film Production program and the Film Animation program (Major and/or Minor) must submit separate portfolios and letters of intent for each program. The School will retain written material submitted by applicants, including transcripts, letters of intent, and creative writing. Applicants are therefore encouraged to make and retain their own copies of all written material that they submit to the School.

In the case of collective or collaborative projects, applicants must clearly define their role within the production.

In some instances, the Cinema admissions committees may ask to meet with an applicant prior to making their decision. These applicants will be contacted during the latter half of March. Interviews are normally scheduled in April.

Retrieval of Portfolios by Applicants
All applicants may pick up their portfolios at the School of Cinema beginning June 1. Unclaimed portfolios will be discarded in the early fall.

Location of the School of Cinema
Mel Hoppenheim School of Cinema
Concordia University
1250 Guy, Room FB 319
Montreal, Quebec H3H 2T6

Minimum Cut-off Averages
Admission to most Fine Arts programs is based on both portfolio/audition evaluation results and academic grades. Given the competitive nature of these programs, normally, candidates selected for admission have academic grades that exceed university minimum requirements.
Cegep (CRC): Minimum requirement is a DEC.
Canadian High Schools: 65%/C+ unless otherwise indicated
External Transfers: Minimum requirement is “C” average or equivalent

(Admissions Cut-off Averages should be used as indicators. Data may change depending on the quality of the application pool.)

Film Animation BFA Tuition and Fees at Concordia University Montreal

The following equipment is available at the appropriate stage of progress in film courses: Bolex 16mm cameras, Arrifex SR 16mm cameras, sync and non-sync 35mm cameras, Steenbeck editing equipment and digital recorders, lighting equipment, fluid head tripods, Oxberry animation stands, optical printers, and an Animation lab for digital projects. State-of-the-art digital recording and mixing in a Protools environment are provided for sound classes and third year projects.

Students enrolled in Film Animation and Film Production programs must bear the cost of film stock, processing, printing and material. Depending on the project, Film Production students can expect to spend $1,000 – $2,000 in a first year filmmaking course and $1,500 – $5,000 in a second or third year course. For select second and third year projects, the School offers small grants to offset some production costs. Animation students must pay a laboratory fee. Other specialized fees may apply.

Film Animation BFA course description at Concordia University Montreal

Animation, digital 3d animation
Analytical drawing
Technical aspects of animated filmmaking
History of animated film
Character animation
From idea to storyboard
Film aesthetics
Filmmaking
Image
Sound
Montage
Acting and directing for the screen
Writing for film
Production design
History of film to 1959
Studies in film directors
Le cinéma québécois
Experimental film
Women and film
Aspects of national cinemas
Studies in film genres

Film Animation BFA at Concordia University Montreal

Concordia’s Cinema programs are distinguished from many others by the fact that they are housed in the Faculty of Fine Arts and thus, approach their subject matter primarily as a means of artistic expression. Consequently, a central aim of these programs is to prepare students to become filmmakers, film animators or film historians/critics who have a two-fold awareness: the artistic and cultural potential of the medium, and its history and traditions.

Cinema programs are oriented towards art and culture rather than industry and commerce. However, it should be noted that students are educated in the technical aspects of filmmaking as well as in financial and commercial factors. The programs attempt to strike a balance between the practical and the purely creative aspects of cinema, just as they seek to achieve a balance between social and aesthetic concerns.
Curriculum

Major in Film Animation — 60 credits
Minor in Film Animation — 30 credits

Designed to teach the full process of film animation including theory and practice, the program offers a thorough grounding in the art and technique of frame-by-frame filmmaking. Students are encouraged to develop their own creative potential and to select, from an ever widening range of animation methods, the style most suitable for their own personal expression. Students are also encouraged to complete studio art electives in order to develop their abilities in the areas of design, drawing and colouring.